After years of watching white faces fill his favourite television shows, Aaron Yap finally got to see his own culture represented on the small screen. Sometimes I feel like a bad Asian. The fact that I require English subtitles to watch anything in my native Chinese tongue bothers me if I think about it too … Read more
A brand new influx of second-hand television shows has led Aaron Yap to question whether we are suffering a reboot epidemic. Last week Fox dropped a bunch of trailers for their upcoming 2016-2017 TV slate. Many of these were reboots and remakes of pre-existing film/TV properties: 24: Legacy, Prison Break, The Exorcist, Lethal Weapon and … Read more
For Monitor this week, Aaron Yap tackles Underground, a escape drama that seeks to combine modern times with history. When Quentin Tarantino released his blaxploitation-cum-spaghetti western opus Django Unchained in 2012, he had a justification for his typically incendiary, controversy-baiting approach to one of the most awful and shameful periods in American history. “When slave narratives are done … Read more
The limited run series Containment promises a healthy dose of viruses with a side of emotional trauma. After one episode, Aaron Yap was left feeling less than satisfied. The sight of someone spewing blood and mucus out their nostrils will probably never lose its inherent ickiness. Containment knows this. Throughout its pilot episode, the show thrives on this … Read more
For Monitor this week, Aaron Yap chews on Hannibal, Bryan Fuller’s televisual masterpiece of the macabre. At some point, Hannibal morphed into television’s most beautiful and downright terrifying creature. Creator Bryan Fuller wasn’t content to serve us another serial-killer-of-the-week procedural. Nor was he satisfied with providing merely a functional corrective to garbage like Red Dragon and Hannibal … Read more
Aaron Yap celebrates the superb Cold War spy drama The Americans. The Americans is currently the best spy show on TV. Scratch that. It’s the best show on TV, period. I’m saying this as a dyed-in-the-wool fan of Homeland, a show that its most avid followers have to admit is awfully patchy, even at its … Read more
Aaron Yap watches Fabrice Gobert’s The Returned, a moody French supernatural series where the dead come to life in a quiet alpine town. In Val Lewton’s 1943 film I Walked with a Zombie, there’s a terrific exchange between its protagonists, Betsy (Frances Dee), a nurse travelling to Saint Sebastian, and Paul (Tom Conway), a plantation owner whose wife she’s been … Read more
Aaron Yap watches Louis C.K.’s new online series Horace and Pete, and asks if the off-putting, experimental style is what lies beyond the “peak TV” age. Did Louis C.K. hear us grumbling? Just a few weeks ago when FX chief John Landgraf spoke at the Television Critics Association press tour in California, he addressed the future of … Read more
Aaron Yap digs up gold in Detectorists, the award winning comedy written by The Office’s Mackenzie Crook that went straight-to-DVD in New Zealand. We have several copies to give away, see the end of the piece for more details. The fact that last year Detectorists completely slipped the radars of local TV (broadcast and otherwise) is prime … Read more
Superheroes and socio-political champions, cold-blooded killers and murderous polar bears – the year’s best television had something for everyone, says Aaron Yap. And then there was True Detective… In 2015, there were no shortage of momentous occasions in the world of prestige TV. Mad Men came to a satisfyingly wistful close after seven seasons, granting … Read more
In Monitor this week, Aaron Yap takes a look at The Evil Dead’s first foray into television. Almost 35 years after the franchise made its cult classic debut, has the magic survived the move to the small-screen? Those who defend Hollywood’s obsession with churning out sequels like to reassure you that sequels don’t – and … Read more
Over 20 years since it aired on TV One on a quiet Sunday night, Aaron Yap remembers Peter Jackson’s hoax-documentary Forgotten Silver. Peter Jackson might have sold New Zealand to the world as a viable enchanting Middle Earth filled with Hobbits and Gollums, but his greatest trick remains convincing us – for a brief moment – … Read more
Aaron Yap reviews Flesh and Bone, the new drama from Breaking Bad writer Moira Walley-Beckett, and asks if it lives up to its lofty predecessor. To consider Flesh and Bone worthy of your time, especially in an ever-crowded market of dark cable dramas, some management of expectations is advisable. Not every new show can claim, … Read more
Masters of Horror brought together the most morphed minds in horror to direct a series of one-hour TV specials. Aaron Yap lists the essential episodes to scream your way through this Halloween. The story begins like a boilerplate slasher movie scenario – with a meta twist. In 2002, Mick Garris, director of many a Stephen King adaptation, invites … Read more
For monitor this week, Aaron Yap applauds the sophomore effort of Fargo, and explains how the second season has created an even richer and more nuanced world than the first. It doesn’t seem that long ago that the idea of adapting Fargo for TV sounded kinda lame. What? Not Fargo. Why would anyone want a TV … Read more
For Monitor this week, Aaron Yap looks at how Homeland has embraced explosive twists and stories pulled-from-headlines to breathe new life into the political thriller. Homeland made an unexpected, somewhat miraculous comeback with its fourth season. It wasn’t perfect, but improved immensely on the wobbly second and third. Back then, the show couldn’t decide what to … Read more
Aaron Yap examines how cyber thriller Mr. Robot manages to balance captivating storytelling with authentic tech-geekery, and give us a new breed of shuffling television superhero. Blackhat almost got it right. Released earlier this year, Michael Mann’s moody techno-thriller sought to provide as realistic a portrayal of cyber-terrorism and hacking as possible and proved to be … Read more
Aaron Yap looks at Show Me a Hero, the six part miniseries from the creators of The Wire that examines the 1987 housing crisis in New York – and eerily mirrors our own current property strife. Housing. Land. Property. These might be among the least dramatically engaging subjects I can think of. The last time I went … Read more
For Bryan Fuller, death has always been a source of morbid aesthetic delight. In Hannibal, serial killings served as a canvas for culinary extravagance and beautifully grotesque tableaux. Prior to Hannibal, there was Pushing Daisies, a “forensic fairy tale” which couched its sweetly macabre story of a corpse-reanimating pie-maker in blindingly bright, candy-coloured art direction. … Read more
For Monitor this week, Aaron Yap looks at the increasing flow of filmmakers across to television, and asks why New Zealand has resolutely avoided the trend. Remember that one seemingly event-worthy time when Quentin Tarantino, after establishing himself as a fully formed auteur with Pulp Fiction, took time out to direct an episode of E.R.? It … Read more
For Monitor this week, Aaron Yap looks at Humans, AMC’s new elegant sci fi drama that examines the not-so-distant role of artificial intelligence in our everyday lives. Artificial intelligence has long been one of the most commonly explored subjects of all science fiction. From the spookily prescient writings of Isaac Asimov and H.G Wells to … Read more
Aaron Yap channels a psychic race car driver in Baffled!, Leonard Nimoy’s bizarre failed pilot with a premise more implausible than anything Star Trek could have offered. Of all the TV work that Leonard Nimoy did in the early ‘70s, Baffled! may be the most, yes, baffling. After the original series of Star Trek ended in 1969, Nimoy didn’t have … Read more
Aaron Yap finds an “imaginative supernatural delight” in Jonathan Strange and Mr. Norrell, the BBC One mini-series packed with magic, mystery and memorable characters. Finding the alt-history Gothic horrors of Penny Dreadful too relentlessly serious and slow-burning for your tastes? BBC One’s period magical fantasy Jonathan Strange and Mr. Norrell should make for ideal alternative viewing. … Read more
Aaron Yap celebrates the reckless abandon of Louis C.K.’s Louie, a surreal comedy-drama that consistently transcends the boundaries of both genre and reality. I’ve long been fascinated by the idea of genres operating beyond their foundations. How far can you stretch the boundaries of a genre before it becomes something else? Is a comedy a comedy if … Read more
Aaron Yap dissects the sophomore effort of True Detective thus far and compares it to Bosch, the old-fashioned cop show that effortlessly unfolds without the feverish fanaticism. Following up the first season of True Detective was never going to be simplest task. It’s easier to appreciate this now, having chewed over the lacklustre response to the first … Read more
For Monitor this month, Aaron Yap argues why you should bravely enter the “alluringly sensual and generously gory universe” of Showtime’s Victorian horror Penny Dreadful. It’s a pretty good time for TV horror fans at the moment. If you have a favourite type of monster, it’s likely being catered to. The Walking Dead has zombies, The … Read more
Aaron Yap watches the first three episodes of TV2’s Empire, and dissects how his new guilty pleasure successfully blends legitimate themes with soapy absurdities. If Fox’s Empire confirms one thing, it’s my suspicion that showrunner Lee Daniels should’ve done TV a long time ago. On the big screen, the producer/director has often been slapped with … Read more
Aaron Yap reflects on his own recent hate-watching of Arrow, Under the Dome and Catfish, and attempts to get to the bottom of this bizarre viewing phenomenon. I’m currently watching Arrow and I sort of hate it. It’s the first of the current, intimidatingly large batch of superhero shows I’ve dipped into. An adaptation of a … Read more
Aaron Yap watches the first two seasons of sci-fi series Orphan Black, and hopes for just as many fast-paced, character-driven clone thrills from the lead roles in the third season. When Orphan Black debuted on BBC America in 2013, it seemed to come out of nowhere. A bolt of fresh, femme-powered lightning into a television market … Read more