Aaron Yap welcomes part two of Mad Men season seven, dissecting the first two episodes and predicting towards how the show will wrap its final season. As Mad Men heads towards the end of its extraordinarily consistent eight-year run, the first two episodes of its final season, ‘Severance’ and ‘New Business’, usher in a brand new … Read more
Aaron Yap examines how small town chiller Fortitude manages to distance itself from other mystery/crime series of a similar ilk. // What’s this? A beautifully shot crime drama in the moody Scandi-noir-style of The Killing and The Bridge, but infused with the enigmatic sensibilities of Lost and Twin Peaks? It’s almost like someone made Fortitude for me. Created by … Read more
Aaron Yap dissects Frances McDormand’s cripplingly powerful portrayal of depression, parenthood and marriage in the HBO mini-series Olive Kitteridge. // There are probably few characters as singularly challenging in recent television as the protagonist of Lisa Cholodenko’s Olive Kitteridge. A streamlined, absorbing, richly textured adaptation of Elizabeth Strout’s Pulitzer-Prize-winning novel, this four-hour HBO mini-series hints … Read more
Aaron Yap checks the pulse of In The Flesh‘s peculiarly English zombies. // If there’s still an abundance of forgettable, interchangeable zombie movies around to convince seasoned horror fans that the genre’s practically played out, Dominic Mitchell’s BBC 3 mini-series In the Flesh can be considered the counterargument. For those who appreciate a little ambition … Read more
Monitor is a new bi-weekly column from Aaron Yap. Each edition will see him critically examine a new show or trend in current television. First up is Better Call Saul. // Much has been made about modern mainstream cinema’s over-reliance on mining existing properties for content. More than ever, the studios are operating in a safety bubble, with … Read more
Aaron Yap argues that family crime drama Brotherhood deserves to steal some of the family-crime-drama limelight away from its older television siblings. // One consequence of the monumental successes of The Sopranos and The Wire is that a perfectly decent show like Showtime’s Brotherhood remains undeservedly underseen, unable to escape from their far-reaching shadows. This crime drama, … Read more
This Throwback Thursday, Aaron Yap applauds the metaphysical triumphs of a particularly buzzy episode of The Twilight Zone. // The conflation of metaphysical concepts and science has always been a difficult, tricky thing for me to swallow in TV and movies. Not that it’s impossible to achieve; for example, Ron Moore’s Battlestar Galactica was persuasive … Read more
This Throwback Thursday, Aaron Yap appreciates the long-tongued leather-clad genius of sci fi series Aeon Flux.// A funny thing happened when I began revisiting Peter Chung’s cult animated sci-fi series Aeon Flux for this column. Seeing it for the first time since the mid-‘90s when it was on MTV’s Liquid Television – a memorably messed-up anthology … Read more
While the stars of critically acclaimed cable dramas snag the glory, Aaron Yap believes 24‘s weary, brutal Jack Bauer can stand proudly alongside Walter White, Tony Soprano and the rest as an elite golden age anti-hero. Being a 24 fan can be a lonely experience. The number of people who I know really watch this show (i.e. those I … Read more