Summer reissue: An exhibition of Dutch-New Zealand artist Theo Schoon at the City Gallery in Wellington set off a debate about the place of racially problematic work in public spaces. Lana Lopesi reports on the ongoing protests, and how they connect to the activism at Ihumātao. First published 8 August, 2019. When Theo Schoon: A … Read more
The Shouting Valley is a powerful group exhibition at the Gus Fisher Gallery in Auckland that interrogates and gives voice to the people caught between borders. But is the real paradox of this politically charged show the limit of what art can do? Lana Lopesi reviews. “What’s bad about borders?” asked David Hall in a … Read more
Lana Lopsesi on tatu maker Julia Mage’au Gray, the revival of Melanesian female tattoo practice, and an exhibition paying homage to her remarkable work. I remember turning up before the chaos. It was just me and Julia Mage’au Gray. Her daughter Vasa had run out to get some gloves. Looking at my body, she asked … Read more
Who makes up the royal ‘we’? Lana Lopesi reviews a massive show at ST PAUL St Gallery in Auckland that investigates questions of community, culture and conflict. How to Live Together at ST PAUL St Gallery could hardly have been better timed, opening just days before the protection of Ihumātao in Tāmaki Makaurau Auckland reached … Read more
An exhibition of Dutch-New Zealand artist Theo Schoon at the City Gallery in Wellington has set off a debate about the place of racially problematic work in public spaces. Lana Lopesi reports on the ongoing protests, and how they connect to the activism at Ihumātao. When Theo Schoon: A Biography by Damian Skinner was released … Read more
When James Shaw thanked ‘Pirimia Jacinda Ardern, or baby mama’ many of us swooned at its cuteness, while others silently cringed. Asks Lana Lopesi, how much do we really know about the term ‘baby mama’? “Yeah this one right here goes out to all the baby’s mamas, mama’s mamas, mamas, baby mama’s mamas.” – Outkast … Read more