A new book by Tony McCaffrey deals with stage performances by people who have intellectual disabilities. John Lambie was an actor with Down Syndrome. He had had been part of the initial intake of children in 1965 into Hohepa Canterbury, a residential community in Christchurch for people with intellectual disabilities, run on the principles of Rudolf Steiner. In 2015, John … Read more
Jason Te Kare grew up watching his mum raise and love at-risk youths in their family home. The director of new prison-set play CELLFISH talks about learning how to live a compassionate life. When playwright Miriama McDowell worked with inmates in a Christchurch prison, she was often asked to sneak in contraband. Not your typical … Read more
After a rocking season last year, Briefs Factory returns with their new show Briefs: Close Encounters. Sam Brooks responds to the two very different sides to the show, and how the company marries them. There are two shows I want to talk about here. There’s the show that you pay for: the high-quality, beat-perfect and burlesque-circus-dance hybrid … Read more
Playwright Miria George talks to Leonie Hayden about her new satire of Māori ‘one-percenters’, and challenging assumptions about what Māori art should be. The Vultures is a curious departure from most Māori theatre I’ve seen. It’s not explicitly about post-colonial disenfranchisement or violence, although it can be argued these underpin all Māori existence. It’s about … Read more
Fractious Tash’s new production as part of Q’s Matchbox Season, The Effect, doesn’t quite translate the play’s complexities into a production, writes Sam Brooks. On the face of it, Fractious Tash producing The Effect seems like an ideal match of company and play. Their previous productions, the tremendous Titus and the mixed-but-visually-stunning Not Psycho, have made big … Read more