On the back of season 3 of Netflix’s hit teen drama 13 Reasons Why, Katie Meadows argues that the show’s unremitting darkness poses real risks to young viewers. Two years after it first aired, and a month before the release of season 3, Netflix announced it was at long last cutting the painfully graphic depiction … Read more
Katie Meadows reviews Catch-22, George Clooney’s bleak and boring TV adaptation of the classic novel. Even if you are not familiar with Joseph Heller’s 1961 satirical novel, you will be familiar with its title — a catch-22 at its most technical is a paradoxical problem with no solution because its rules inherently void the possibility of … Read more
Moments presents Discwoman is a series of shows, panel discussions and workshops aimed at encouraging more women and gender minorities to get involved with electronic music. Emma Hall-Philips, the founder of local collective Moments, tells Katie Meadows what it’s all about. Since its inception in 2014, New York-based collective Discwoman has become so much more … Read more
When does a social experiment turn into legitimate psychological torture – and lasting damage? Katie Meadows thinks Married at First Sight Australia has gone too far. Married At First Sight Australia is a horrible show that everyone loves to watch. Before this year, I had never seen it. About a month and a half in to … Read more
Last night, the first part of the Michael Jackson documentary Leaving Neverland aired on TVNZ. Katie Meadows looks at what it means for the popstar’s legacy. This piece involves descriptions of child abuse, sexual assault and grooming. Since Leaving Neverland first aired, one of the first questions to be asked in a world where Michael Jackson is an abuser … Read more